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宋代点茶的“四维”审美追求研究

Four-dimensional Aesthetics of Whisked Tea in Song Dynasty

  • 摘要: 宋代点茶不仅是一种制茶技艺,更是一种融合茶汤审美、器具造型、技艺展演与空间意境的综合性艺术表达,呈现出独特的“四维”审美结构。本文通过历史文献梳理与当代表现案例分析,提出“宋代点茶‘四维’审美框架”,以系统解析茶汤、器具、技艺与空间四者之间的互动关系与美学意涵。在此基础上,进一步探讨该框架在现代茶空间设计、新中式生活美学、文旅体验及非遗活化中的应用。研究发现,宋代点茶的审美逻辑不仅体现了礼仪性与仪式感,也为当代茶文化的场景营造、品牌表达与创意设计提供了可借鉴的美学典范。本研究创新性地从“四维”审美框架角度重新解读点茶文化,并通过案例链接传统与现代之间的审美转化路径,回应当前传统文化当代表达的现实诉求。

     

    Abstract: The so-called “diancha” or preparing tea by whisking the powdered tea with water at 70-80℃ popular in the Song Dynasty is one of the brewing methods by Chinese in history. The technique was inspired by and evolved with artistically expressing the aesthetics in four dimensions of tea steeping, utensil design, ceremonious serving, and atmospheric display. Historical literature as well as contemporary studies revealed the unique pursuance by tea connoisseurs. This article systematically analyzed the intricate four-dimensional aesthetic and cultural framework on the leisure activity. The ancient tradition has not only continued throughout the millennium, it also profoundly influenced the present-day practices in tea house design, lifestyle change, entertainment/tourism, and intangible culture heritage revitalization. Not merely the ostensibly exhibited ritual and ceremony, the Song tea-whisking literally conveys the intriguing philosophy and aesthetics which can be emulated by the contemporary designers and creators of the art surrounding tea drinking. This article re-interpretated the Song Dynasty “diancha” with four-dimensional elements to help bridge between the tradition and modernity by unveiling the hidden treasures of the extraordinary cultural creation.

     

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